Quite Like You
Every situation in itself is a performance, even when you are alone. Where ever we are, what ever we do we perform ourselves. Actually at this very moment you are performing.
Quite Like you is dealing with the concept of performance and performativity. How and when does performance begin for a performer? Where is the line between privacy and public as a performing artist? Does the performance have a beginning and an end?
The piece was part of the Choreographisches Atelier which was the final composition and choreography exam in Antikainen's studies.
Concept & Choreography: Aura Antikainen
Performance: Iria Arenas